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Tag Archives: Jean-Luc Godard
Live Dangerously Until the End
European Cinema History: The French New Wave ~ ‘Breathless’ (À bout de souffle) In the late 1950s and early 60s, the way we looked at cinema was changed, forever. The nouvelle vague, or French ‘new wave’ was an artistic and innovative movement whose adherents … Continue reading
Posted in Introduction to Film: Europe
Tagged 1960, auteur theory, À bout de souffle, Bernardo Bertolucci, black and white, Breathless, ceredigion, cinema, cool, crime, drama, european film history, film, film analysis, film and media studies, film studies, Francais, France, Francis Ford Coppolla, french, french cinema, Jean Seberg, Jean-Luc Godard, Jean-Paul Belmondo, Jim Jarmusch, Justin Bieber, lampeter, love, Martin Scorsese, Mike Figgis, miles davis, New Wave, nouvelle vague, Oliver Stone, Paris, Paul Thomas Anderson, pulp fiction, Quentin Tarantino, revolution, Richard Linklater, romance, Steven Soderbergh, trinity st. david, university of wales, wales, Wim Wenders
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