Perygl Productions- The Riverside Wizard
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Roulette Revolver
Category Archives: Introduction to Film: Europe
Live Dangerously Until the End
European Cinema History: The French New Wave ~ ’Breathless’ (À bout de souffle) In the late 1950s and early 60s, the way we looked at cinema was changed, forever. The nouvelle vague, or French ‘new wave’ was an artistic and innovative movement whose adherents … Continue reading
Posted in Introduction to Film: Europe
Tagged 1960, auteur theory, À bout de souffle, Bernardo Bertolucci, black and white, Breathless, ceredigion, cinema, cool, crime, drama, european film history, film, film analysis, film and media studies, film studies, Francais, France, Francis Ford Coppolla, french, french cinema, Jean Seberg, Jean-Luc Godard, Jean-Paul Belmondo, Jim Jarmusch, Justin Bieber, lampeter, love, Martin Scorsese, Mike Figgis, miles davis, New Wave, nouvelle vague, Oliver Stone, Paris, Paul Thomas Anderson, pulp fiction, Quentin Tarantino, revolution, Richard Linklater, romance, Steven Soderbergh, trinity st. david, university of wales, wales, Wim Wenders
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Bicycle Thieves
Film Studies: European Film History – Italian Neo-realism and The Bicycle Thief In the five years following the Second World War, Italy saw many changes. In 1946 it became a Republic and a more liberal society which meant for example, that women … Continue reading
Posted in Introduction to Film: Europe
Tagged 1948, black and white, cinema, editing, Enzo Staiola, film and media studies, film studies, footage, Italia, Italian neo realism, Italy, Ladri de Biciclette, Lamberto Maggiorani, lampeter, realism, trinity st davids, university of wales, Vittorio De Sica, wales, world war two
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Back in the U.S.S.R.
Film Studies: European Cinema – The Russian Renaissance and Battleship Potemkin Russia: October 1917, the people rise up bearing the communist flag and bring an end to the Tsarist dictatorship, eliminating the bourgeoise and placing power into the hands of the citizens. Lenin, … Continue reading
Posted in Introduction to Film: Europe
Tagged 1917, 1925, Battleship Potempkin, brian de palma, cinema, editing, film, film and media studies, film studies, footage, images, kuleshov, lampeter, lenin, montage, mutiny, october, odessa, proletkino, propaganda, regime, russia, russian revolution, semiotics, sergei eisenstein, socialist, sovkino, stalin, trinity st davids, trotsky, tsarist, university of wales, wales
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Nosferatu and German Expressionist Cinema
An Introduction to Film Studies 2: European Cinema For our first lecture in European Film studies, we talked about German expressionist cinema, its influence, its context in the country’s history and the techniques and styles used by this movement. After the First … Continue reading
Posted in Introduction to Film: Europe
Tagged 1922, cinema, deutschland, edvard munch, f.w. murnau, film, film and media studies, film studies, fritz lang, german expressionism, germany, horror, lampeter, max schreck, metropolis, nosferatu, the scream, trinity st davids, university of wales, vampire, wales, world war one, world war two
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